Order the shoot on a stripboard. Move a scene and the day re-flows — calls, travel and the call sheet follow.
The Schedule is where the shoot takes shape. Scenes from your script become strips you can order into days, group by location or cast, and re-arrange as things change. Because the call sheets read from the schedule, moving a scene updates the day rather than starting an argument.
Strips ordered into days and grouped by location or cast. Move one and the day re-flows — the call sheet reads the board, so nothing downstream is re-typed and nobody argues about which version is current.
The board everyone knows, with drag-to-reorder and day breaks.
Get a sensible first pass grouped by location and cast, then refine it by hand.
Conflicts surface on the board before they become a problem on the day.
Generate a one-liner or day-out-of-days whenever you need to circulate the plan.
It writes each day's strips onto that day's call sheet — scene numbers, sets, day/night and page counts. Anything you've already typed onto the sheet by hand stays put.
Drag it into Unscheduled at the top of the board. It stays with the production, out of the day counts, until you drop it back in.
Split the strip and each half carries its own page count, so both days total correctly.
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